Archive for May, 2009

Clarification concerning status of Catholics becoming Freemasons

Sunday, May 31st, 2009

The Clarification concerning status of Catholics becoming Freemasons was a February 1981 letter from the Congregation for the Doctrine of the Faith reiterating the Church’s prohibition on Catholics becoming Freemasons. The letter was followed in 1983 by Quaesitum est, issued by then Joseph Cardinal Ratzinger, who had become the Congregation’s prefect in November 1981.

Its purpose was to clear up confusion that had stemmed from an earlier interpretation of Canon law. The confusion arose from a private letter written in 1974 to the US Bishops which was interpreted by some within the Church and within Freemasonry to allow Catholics to join Masonic lodges as long as the lodge did not directly plot against the church.

The document stated that the traditional prohibitions and penalties on Catholics becoming Freemasons still applied. The document specifically mentioned excommunication as a penalty. It also stated that the 1974 letter was in no way a judgment on the character of Masonry, nor could it imply a derogation from Catholic norms.

References

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Mira Calix

Sunday, May 31st, 2009

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Mira Calix, real name Chantal Passamonte, is an artist signed to Warp Records, specialising in mixing her intimate vocals with jittering beats and experimental electronic textures. She is married to Sean Booth of Autechre.

As a live performer and DJ, she has supported and toured with a broad range of acts, including Radiohead, Plaid, Godspeed You! Black Emperor and Aphex Twin.

Contents

  • 1 Recording history
  • 2 Discography
    • 2.1 EPs/Singles
    • 2.2 Albums
  • 3 Other work
  • 4 See also
  • 5 External links

Recording history

The first Mira Calix release was the Pin Skeeling single in 1998 on the Warp label, with her debut album, One on One, released by Warp on March 6, 2000.

In 2003 another full length album, Skimskitta, appeared, and in that same year she collaborated with the London Sinfonietta, performing her piece Nunu at the Royal Festival Hall in London. The program, titled Warp Works and 20th Century Masters, included live insects on stage, and was later released on the 3 Commissions . This record also included the original version, which had been commissioned by the Geneva Natural History Museum.

2007 saw the release of the third full length Mira Calix album, Eyes Set   Against the Sun, again on Warp Records.

In 2004 she formed Alexander’s Annexe - a band/ensemble with pianist Sarah Nicolls and sound designer David Sheppard. Their debut performance was at the Ravello Festival in Italy, followed by performances at the Aldeburgh Festival and Parco della Musica in Rome. Alexander’s Annexe released the album, Push Door To Exit, on Warp in November 2006.

Mira Calix’s earlier music is almost exclusively electronic, however since 2003 she has incorporated orchestration and live classical instruments in her performances and recorded work. More recently she has concentrated mostly on collaborations and commissions. There have been several installation pieces, film soundtracks and works for theatre.

Mira set Shakespeare’s Sonnet 130 to music for a project curated by composer Gavin Bryars for The Royal Shakespeare Company. Other participants in “Nothing Like The Sun” were Nico Muhly,Antony And The Johnsons, Gavin Friday, Natalie Merchant and Alexander Balanescu. During 2007 there were two Operas/Music Theatre pieces, the first Elephant and Castle, for the Aldeburgh Festival, was a collaboration with composer Tansy Davies, directed by Tim Hopkins, Libretto by Guardian writer Blake Morrison. The second, Dead Wedding premiered at the first Manchester International Festival. Extracts from these performances appear on the album The Elephant In The Room: 3 Commissions released in October 2008. The album includes pieces from a video installation work titled Natures, a collaboration with Quayola and cellist Oliver Coates.

In December 2008 My Secret Heart premiered at the Royal Festival Hall in London with 80 members of Streetwise Opera. The piece is inspired by Allegri’s 17th century choral work Miserere . It is a collaboration with British video artists Flat-E and continues to tour as an installation.

She has written new commissions for the London Sinfonietta; Rock Music/Rock Art and Ort-Oard, part of the Sinfonietta Shorts series to Celebrate their 40th Birthday.

In February 2009 she created the soundtrack to an installation of swinging light pendulums. Chorus was produced by United Visual Artists for the opening of the Howard Assembly Rooms, Opera North’s headquarters in Leeds.

Discography

EPs/Singles

  • Pin Skeeling (Single) (1998)
  • Peel Session TX 09/03/00 (2000)
  • Prickle (Single) (2001)
  • Nunu (2003)
  • 3 Commissions EP (2004)
  • The Elephant In The Room: 3 Commissions (2008)

Albums

  • One on One (2000)
  • Skimskitta (2003)
  • Eyes Set   Against the Sun (2007)

Other work

Other than her releases on Warp, she has also composed music for the following:

  • The circus production Lactic Acid, by The Generating Company.
  • A video installation with Felice Limosani; Final Touch.
  • A sound installation for the Barbican Gallery; Le Jardin d’Barbican.
  • A soundtrack to accompany an exhibition by the origami artist Michael Jackson.
  • Music for the National Theatre production of Free by Simon Bowen.
  • Sonnet 130 commissioned by the Royal Shakespeare Company
  • Elephant and Castle directed Tim Hopkins for the Aldeburgh Festival
  • Dead Wedding produced by Faulty Optic for Opera North and The Manchester International Festival
  • Onibus commissioned by Opera North
  • Transparent Roads - film soundtrack
  • Natures - video installation - commissioned by Faster Than Sound Festival
  • My Secret Heart commissioned by Streetwise Opera
  • Ort-Oard commissioned by the London Sinfonietta
  • Chorus commissioned by United Visual Artists

See also

  • Warp Records

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Yandroth

Sunday, May 31st, 2009

Yandroth
Publication information
Publisher Marvel Comics
First appearance Strange Tales #164 (Jan 1968)
Created by Jim Lawrence and Dan Adkins
In-story information
Alter ego Yandroth
Species Human
Team affiliations formerly Masters of the Mental Arts

Yandroth is a fictional character, an Alien Techno-Wizard, owned by Marvel Comics, who exists in that company’s Marvel Universe. He first appears in Strange Tales #168.

Fictional character biography

Yandroth was an alien humanoid scientist who has fought Doctor Strange. Doctor Strange defeats Yandroth, sending him to seemingly fall forever through an alternate dimension.

There, he learns that he could gain great power by destroying a world. He constructs an ‘Omegatron’, which is defeated in the Defender’s first appearance in Marvel Feature #1.

Omegatron returns in Defenders (1st series) #5 and #69. In Defenders #119, Yandroth possesses a young girl in order to telepathically attack the heroes.

He is seemingly killed in their last encounter. Although Yandroth is dead, his spirit is still capable of taking possession of a living human’s mind. Taking the form of a vagrant, he is discovered by Patsy Walker. Seemingly an innocent, she rescues him, allowing him to regain his strength and capture her.

He crafts a plan to end the world. He summons monsters from all over, involving many superhero teams. Most of the New York based heroes are tied up confronting destructive, mindless monstrosities. Alpha Flight is attacked by Warlord Kaa and his Shadow Warriors. He causes a group of Living Erasers to appear in the Tokyo Headquarters of Big Hero Six. Lizard Men from Tok attack the island nation of Genosha. Gorgilla subdues the Avengers by dropping a building on them.

It turns out he is utilizing the captured form of Gaea, the spirit of the Earth, to summon the monsters. Patsy, who had escaped and learned this, tells the Defenders, who were currently comprised of Namor, the Hulk, Doctor Strange and Silver Surfer.

The superhero battles Yandroth has caused has given him enough power to summon the Ravagers of Creation. Four elemental creatures confront the Defenders, who are unable to stop them individually. They attack the Stone creature, disabling the spell needed to destroy the world. This frees Gaea and kills Yandroth.

In his dying breath, as the Hulk and Namor fight, he realizes the Defenders hate each other. He uses his powers to curse them, so they must come and work together in times of a severe crisis. This involves uncontrollable teleportation, affecting all four of the heroes.

Yandroth was later revived when the four Defenders became The Order for a short time and their curse rendered him all-powerful.

Yandroth is featured in the limited series “The Last Defenders”, disguised as a businessman. Assisted by the floating head of the entity known as the ‘Recorder’, he attempts to manipulate his way into gaining god-level powers.

References

  1. ^ Marvel Feature #1

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Sander Vanocur

Sunday, May 31st, 2009

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Sander Vanocur

Sander Vanocur interviewing U.S. Senator and Democratic Presidential aspirant Robert F. Kennedy on the evening of June 4, 1968, shortly before Kennedy was shot and killed in a Los Angeles hotel.
Born January 8, 1928 (1928-01-08) (age 81)
Cleveland, Ohio
Alma mater Northwest University
Occupation Series host
Known for Telejournalism

Sander Vanocur, born January 8, 1928 in Cleveland, Ohio, is an American journalist.

In 1950, he earned a bachelor’s degree in political science from the Northwestern University School of Speech. He began his journalism career as a reporter on the London Staff of The Manchester Guardian, and also did general reporting for The New York Times.

Contents

  • 1 Career
    • 1.1 Telejournalism career
    • 1.2 Teaching career
    • 1.3 Television Hosting Career
  • 2 Family
  • 3 References
  • 4 External links

Career

Telejournalism career

Described as “one of the country’s most prominent political reporters during the 1960s,” Vanocur served as White House correspondent and national political correspondent for NBC News in the 1960s and early 1970s. He was one of the questioners at the first Kennedy-Nixon debate in 1960 and one of NBC’s “four horsemen,” its floor reporters at the political conventions in the 1960s. While White House correspondent during the Kennedy administration, Vanocur dubbed Kennedy’s coterie the “Irish mafia.” Later, Vanocur covered the 1968 United States presidential election in which Robert F. Kennedy was assassinated. Vanocur, who had interviewed Kennedy on June 4, 1968 shortly before the Democratic candidate was shot, reported on the incident from The Ambassador Hotel in Los Angeles, California for the entire night. Vanocur served as host of First Tuesday, a monthly newsmagazine that premiered in 1969 and continued after Vanocur left the network. His work at NBC earned him a place on the Nixon administration’s “enemies list” (master list of Nixon political opponents).

After leaving NBC in 1971, Vanocur worked for PBS and as a television writer for the Washington Post. He joined ABC News in 1977 and worked there until 1991, holding various positions, including Chief Diplomatic Correspondent, Senior Correspondent in Buenos Aires, and anchor for Business World, the first regularly scheduled weekly business program. He covered the 1997, 1998, and 1999 World Economic Summits and was Chief Overview Correspondent during the 1980 and 1984 presidential elections. In 1984, Vanocur moderated the Vice Presidential debate between incumbent George H. W. Bush and Congresswoman Geraldine Ferraro. He made a cameo appearance as himself in the movie Dave; and was one of the major performers in the sci-fi television special Without Warning (as one of the main newsanchors linking the various scenes together).

Teaching career

He taught at Duke University.

Television Hosting Career

Vanocur is currently the host of two of the History Channel’s prime time series: “Movies in Time” and “History’s Business.”

Family

Vanocur is the father of ABC Salt Lake City anchor Chris Vanocur. Their last name is pronounced “van-OH-cur.”

References

  1. ^ “An on-scene newsman recalls RFK’s shooting”. MSNBC. June 3, 2008. http://www.msnbc.msn.com/id/24948843/. Retrieved on 2008-06-05. 
  2. ^ CFP96 Plenary Session, retrieved on 06-26-2009.
  3. ^ Debate Transcript Commission on Presidential Debates.
  4. ^ Frank, Reuven: Out of Thin Air: The Brief Wonderful Life of Network News, p. 214. Simon & Schuster, 1991. John Chancellor, Frank McGee, and Edwin Newman were the others.
  5. ^ Sidey, Hugh, “Styles of Political Mafia”. TIME. 1982-07-12. http://www.time.com/time/magazine/article/0,9171,925537,00.html. Retrieved on 2008-08-13. 
  6. ^ Murray, Michael D., ed.: Encyclopedia of Television News, p. 172. Greenwood, 1999.

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Devgadbaria

Sunday, May 31st, 2009

Devgadh Baria
Coordinates: (find coordinates)
Country  India
State Gujarat
District(s) Dohad
Population 19,201 (2001)
Time zone IST (UTC+5:30)

Devgadh Baria (sometimes Devgadhbaria or just Baria) is a municipality in Dohad district in the state of Gujarat, India. It is a small town nestled in the foothills on the eastern border of Gujarat State. It was established in 1782. The state was ruled by Chauhan kings until it merger with the Union of India. The last ruler of Devgadh Baria was married to a daughter of Gayatri Devi of Jaipur. Rajasthan, India.

Contents

  • 1 History Of Baria
  • 2 Demographics
  • 3 References
  • 4 Google Local Business Centers
  • 5 External links

History Of Baria

Devgadh Baria is located on the bank of Panam River; a town built very articulately in princely style. It is part of Dahod district (formerly Panchmahal) in the state of Gujarat.

This town was established in the year 1782. Two sons of King Vatai Rawal escaped from this region when the famous King of Gujarat, Mohamad Beghado, tried to conquer Pavagadh. Older brother Prithiraj’s son Udaisinh established the town of Chhota Udaipur, whereas the younger brother Dungerpursinh established the famous town of Devagadh Baria. The family of Dungersinh ruled the Baria State for the twelve generations.

The state of Baria was always safe due to the unique geographical location. King of Baria never gave any monitory compensation to Moslems or Maratha rulers. Internal state affairs were performed independently, without any outside help. Baria State was divided into Sagtala, Rajgadh, Haveli, Dhanpur, Limkheda and Randhikpur. These regions were known as Mahals. Administrators and Thanedars were appointed for the smooth administration of each Mahals.

In 1864, after the death of King Dungersinh, a coronation ceremony was held to declare his grandson Mansing as the ruler King. At the time coronation he was only 9 years old and hence the administration of the state was entrusted to an Agency. A superintendent was appointed by this Agency during 1865 to 1876. During this time, each town of the Baria State was surveyed and a limit was established. King Mansinh took over the administration back from the Agency on 6 November 1876.

King Mansinh was reformer and had a modern outlook. He started some important educational institutions like: A school with English education, Kumar Shala – a school for the Boys, Kanya Shala – a school for the Girls, and a Chhatralaya – a Dormitory. He also established the Police force, and justice and Revenue departments. In 1892 a proposal was made to start a railroad system from Godhara to Ratlam via Devgadh Baria, but because Baria wanted to remain independent, the plans were changed and permission was granted to start railway system from Piplod to Limkheda. Late on, Baria-Piplod narrow gage railway was built by the state them selves.

King Mansinh died in 1908, leaving behind him, two sons and a daughter – Ranjitsinhji, Naharsinhji and Surajkuvarba. His marble statue in the Baria circle bazaar is a pride monument of Baria. Man Sarovar, a huge lake, in honor of this great king, reminds us all of his fame.

At the coronation ceremony in the year 1908, Ranjitsinhji was installed as a King. Highly educated and a person with brilliant career, he had joined the Imperial Cadet Core and was awarded the title of “Knight Commander of India”. Because of this prestigious title, he was popularly known as Sir Ranjitsinhji.

During his rule, some very important public institutions were established, some of them are a High School, a Veterinary hospital, a Gymkhana, a Tower, Library etc. Free education was offered in the state to all the school going students, to bring cultural awareness in the society. It was a golden period for the sports in Baria during Sir Ranjitsinhji’s rule. Rudisinhji and Hirasinhaji of royal family were very much interested in various sports. During this period inviting teams from outside cities held sports like polo, badminton, tennis and table tennis were being played in Baria and competitions.

After the death of Sir Ranjitsinhji, his grandson, Jaydipsinhji (son of Youvraj Subhagsinhji) was established as a King, at the coronation ceremony in the year 1948. Few years after India gained independence from British rule, all the small kingdoms and kings were abolished and their authorities were taken away. In this transformation process, Baria was merged into Bombay State. Jaydipsinhji was no longer a king! But during his entire life span in Baria, he had already established himself as a king in everybody’s heart.during his role sir madhavsinh lalji chuahn was the supredentant of ploce of baria state. he was devoted to his duty & rewarde for his duty.

During the period of 1961-1987, he was elected as a member of MLA (Member of Legislative Assembly, in Gujarat) and was also a MP (Member of Parliament in Delhi), during the period of 1961-1987.

Shri Jaydipsinhji was a Rajyogi. He had donated most of his personal assets to various institutions for the common good of the people of Baria and surrounding areas. His own Rajmahal (King’s residential Palace) was donated to Gujarat Agricultural Institution. He established AdivasiResearch and Training institution, for the upliftment of these poor people. Old Rajmahal was also dedicated to the Baria Higher Education Society. He started Yuvraj Subhagsinhji Arts College for the higher college education. Asports complex was started in the big open space of Sir Ranjitsinhji Gymkhana, for the enhancement of various sports events. Shri Jaydipsinhji was honorable country member of World Olympics.

More information about the history of the town may be obtained from a website created by North American immigrants from Baria.

Demographics

As of 2001 India census, Devgadbaria had a population of 19,201. Males constitute 51% of the population and females 49%. Devgadbaria has an average literacy rate of 61%, higher than the national average of 59.5%: male literacy is 70% and, female literacy is 53%. In Devgadbaria, 15% of the population is under 6 years of age.

References

  1. ^ Baria.Org - Baria Mitra Mandal - Home Page
  2. ^ “Census of India 2001: Data from the 2001 Census, including cities, villages and towns (Provisional)”. Census Commission of India. Archived from the original on 2004-06-16. http://web.archive.org/web/20040616075334/http://www.censusindia.net/results/town.php?stad=A&state5=999. Retrieved on 2008-11-01. 

High Res copy of originals of the pictures from Baria.org can be requested from ankeet1@yahoo.com (Original Photographer)

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Avestan alphabet

Sunday, May 31st, 2009

Avestan
Type Alphabet
Spoken languages Avestan language, Middle Persian
Time period 400–1000 CE
Parent systems

Phoenician alphabet
? Aramaic alphabet
? Pahlavi script
Avestan

ISO 15924 Avst
Note: This page may contain IPA phonetic symbols in Unicode.

The Avestan alphabet is a writing system developed during Iran’s Sassanid era (226–651) to render the Avestan language.

As a side effect of its development, the script was also used for Pazend, a method of writing Middle Persian that was used primarily for the Zend commentaries on the texts of the Avesta. In the texts of Zoroastrian tradition, the alphabet is referred to as din dabireh or din dabiri, Middle Persian for “the religion’s script.”

Contents

  • 1 History
  • 2 Genealogy & script
  • 3 Graphemes
  • 4 Technical standards
  • 5 References
  • 6 Bibliography
  • 7 Further reading

History

The development of the Avestan alphabet was provoked by the need to correctly represent recited Avestan language texts. The various text collections that today constitute the canon of Zoroastrian scripture are the result of a collation that occurred in the 4th century, probably during the reign of Shapur II (309–379). It is likely that the Avestan alphabet was an ad hoc innovation related to this - “Sassanid archetype” - collation.

The enterprise, “which is indicative of a Mazdean revival and of the establishment of a strict orthodoxy closely connected with the political power, was probably caused by the desire to compete more effectively with Buddhists, Christians, and Manicheans, whose faith was based on a revealed book.” In contrast, the Zoroastrian priesthood had for centuries been accustomed to memorizing scripture - following by rote the words of a teacher-priest until they had memorized the words, cadence, inflection and intonation of the prayers. This they passed on to their pupils in turn, so preserving for many generations the “correct” way to recite scripture. This was necessary because the priesthood considered (and continue to consider) precise and correct enunciation and cadence a prerequisite of effective prayer. Further, the recitation of the liturgy was (and is) accompanied by ritual activity that leaves no room to attend to a written text.

The ability to correctly render Avestan did however have a direct benefit: By the common era the Avestan language words had almost ceased to be understood, which led to the preparation of the Zend texts (from Avestan zainti “understanding”), that is commentaries on and translations of the canon. The development of the Avestan alphabet allowed these commentaries to interleave quotation of scripture with explanation thereof. The direct effect of these texts was a “standardized” interpretation of scripture that survives to the present day. For scholarship these texts are enormously interesting since they occasionally preserve passages that have otherwise been lost.

The 9th–12th century texts of Zoroastrian tradition suggest that there was once a much larger collection of written Zoroastrian literature, but these texts - if they ever existed - have since been lost, and it is hence not known what script was used to render them. The question of the existence of a pre-Sassanid “Arsacid archetype” occupied Avestan scholars for much of the 19th century, and “hatever may be the truth about the Arsacid Avesta, the linguistic evidence shows that even if it did exist, it can not have had any practical influence, since no linguistic form in the Vulgate can be explained with certainty as resulting from wrong transcription and the number of doubtful cases is minimal; in fact it is being steadily reduced. Though the existence of an Arsacid archetype is not impossible, it has proved to contribute nothing to Avestan philology.”

Genealogy & script

The Pahlavi script, upon which the Avestan alphabet is based, was in common use for representing various Middle Iranian languages, but was not adequate for representing a religious language that demanded precision since Pahlavi was a simplified abjad syllabary with at most 22 symbols, most of which were ambiguous (i.e. could represent more than one sound sound).

In contrast, Avestan was a full alphabet, with explicit characters for vowels, and allowed for phonetic disambiguation of allophones. The alphabet included many characters (a, i, k, t, p, b, m, n, r, s, z, š, xv) from cursive Pahlavi, while some (?, ?) are characters that only exist in the Psalter Pahlavi variant (in cursive Pahlavi ? and k have the same symbol). Some of the vowels, such as ? appear to derive from Greek minuscules. Avestan o is a special form of Pahlavi l that exists only in Aramaic ideograms. Some letters (e.g. ??, n?, y?, v), are free inventions.

Avestan script, like Pahlavi script and Aramaic script also, is written from right to left. In Avestan script, letters are not connected, and ligatures (the “standard” ones being sk, šc, št, ša) are “rare and clearly of secondary origin.” Fossey lists altogether 16 ligatures, but most are formed by the interaction of swash tails.

Words and the end of the first part of a compound are separated by a dot (point). Beyond that, punctuation is weak or non-existent in the manuscripts, and in the 1880s Karl Friedrich Geldner had to devise one for standardized transcription. In his system, which he developed based on what he could find, a triangle of three dots serves as a colon, a semicolon, an end of sentence or end of section; which is which is determined by the size of the dots and whether there is one dot above and two below, or two above and one below. Two above and one below signify - in ascending order of ‘dot’ size - colon, semicolon, end of sentence or end of section. One above and two below signify ‘turned end of sentence’ and ‘turned end of section’.

Graphemes


Image showing the Avestan letter LE (leftmost letter) in a Pazand title for a published Avesta. The text (transliterated in the Hoffmann system) is pargat auual.

In total, the Avestan alphabet has 37 consonants and 16 vowels. There are two main transcription schemes for Avestan, the older style used by Christian Bartholomae, and the newer style used by Karl Hoffmann.

The following list shows the letters as ordered and transcribed by Hoffmann (1996), based on Bartholomae:

Vowels (16)
Consonants (37)

Not represented in the above table are the semi-vocalic glides ii and uu, which in the Bartholomae system are transcribed as y and w. Later, when writing Middle Persian in the script (i.e. Pazend), another consonant was added to it to represent the phoneme that didn’t exist in the Avestan language.

Technical standards

The script has been proposed to be encoded in the Unicode Standard and the Universal Character Set by Michael Everson and Roozbeh Pournader. It was accepted by the Unicode Technical Committee on 2 September 2007.

The set of characters was published in December 2008 as part of Amendment 5 of the ISO/IEC 10646 Universal Multiple-Octet Coded Character Set (UCS). They will also be published as a part of the Unicode Standard 5.2, planned to be released on September-October 2009.

The character are encoded at U+10B00 through U+10B35 for letters (ii and uu are not represented as single characters, but a sequence of characters) and U+10B38 through U+10B3F for punctuation.

References

  1. ^ a b c Kellens 1989, p. 36.
  2. ^ a b c Hoffmann 1989, p. 49.
  3. ^ Hoffmann 1989, p. 50.
  4. ^ Fossey 1948, p. 49.
  5. ^ Everson & Pournader 2007, p. 4.

Bibliography

  • Dhalla, Maneckji Nusservanji (1938), History of Zoroastrianism, New York: OUP .
  • Everson, Michael; Pournader, Roozbeh (2007) (PDF), Revised proposal to encode the Avestan script in the SMP of the UCS, http://std.dkuug.dk/jtc1/sc2/wg2/docs/n3197.pdf, retrieved on 2007-06-10 .
  • Fossey, Charles (1948), “Notices sur les caractères étrangers anciens et modernes rédigées par une groupe de savants.”, Nouvelle édition míse à jour à l’occasion du 21e Congrès des Orientalistes, Paris: Imprimerie Nationale de France 
  • Hoffmann, Karl (1989), “Avestan language”, Encyclopaedia Iranica, 3, London: Routledge & Kegan Paul, pp. 47–52 .
  • Hoffmann, Karl; Forssman, Benno (1996) (in German), Avestische Laut- und Flexionslehre, Innsbruck: Innsbrucker Beiträge zur Sprachwissenschaft, ISBN 3-85124-652-7 
  • Kellens, Jean (1989), “Avesta”, Encyclopaedia Iranica, 3, London: Routledge & Kegan Paul, pp. 35–44 .

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Organizational architecture

Sunday, May 31st, 2009


Simplified scheme of organizational architecture

The architecture of an organization provides the framework through which an organization aims to realize its core qualities as specified in its vision statement. It provides the infrastructure into which business processes are deployed and ensures that the organization’s core qualities are realized across the business processes deployed within the organization. In this way organizations aim to consistently realize their core qualities across the services they offer to their clients.

Contents

  • 1 Content
  • 2 Approaches to organizational design
  • 3 Characteristics of effective organizational design
  • 4 Differentiation and Integration
  • 5 The role of management
  • 6 See also
  • 7 References
  • 8 Further reading

Content

According to most authors organizational architecture is a metaphor, like traditional architecture it shapes the organizational (some authors would say the informational) space where life will take place. It also represents a concept which implies a connection between the organizational structure with other systems inside the organization in order to create a unique synergistic system which will be more than just the sum of its parts.

Conventionally organizational architecture consists of the formal organization (organizational structure), informal organization (organizational culture), business processes, strategy and the most important human resources because what is an organization if not a system of people. The table shows some approaches to organizational architecture.

Nadler & Tushman (1997) Merron (1995) Galbraith (1995) Henning(1997) Churchill (1997) Corporate Transitions International (2004)
Vision, strategic goals and strategic management Strategy The role of the organization Strategy
Informal organization Organizational culture Reward systems Reward systems Organizational culture Organizational culture
Formal organization Organizational structure Organizational structure Groupings Organizational structure Organizational structure
Business processes Processes and lateral links Business processes and work design
Human resources Human resources Human resource development Communication

The goal of organizational architecture is to create an organization which will be able to continuously create value for present and future customers, optimizing and organizing it self. Some under organizational architecture understand building blocks which are mandatory for the growth of the organization. To design an organization means to set up a stage where the drama of life will take place.

Approaches to organizational design


Galbraith’s Star Model of organizational design

There are various approaches to organizational architecture including

  • (1986, 1991, 2004) - Kenneth D. Mackenzie
  • (1992, 1993) - David Nadler & Michael Tushman.
  • - Organizational Architecture by David Nadler, Marc C. Gerstein and Robert B. Shaw.
  • (1993, 1995) - Designing organizations using the Star Model as developed by Jay Galbraith
  • Benjamin’s Layered Model of organizations.
  • The Organizational Adaption Model by Raymond E. Miles and Charles C. Snow.
  • (1995) - Richard M. Burton & Borge Obel
  • (2004) - Richard K. Daft
  • (2001) - Ralph Kilmann
  • (2005) - The Tricord Model - Designing organisations from a Whole Systems Perspective

Characteristics of effective organizational design

Some systems are effective and efficient whereas others are not. Successful systems may be attributable to the skill exercised in designing the system or to the quality of management practised during operations, or both. Successful systems are characterized by their simplicity, flexibility, reliability, economy, and acceptability. Simplicity, flexibility, and reliability tend to be a function of design, whereas economy and acceptability pertain to both design and operations. Numerous relationships exist among these characteristics; for example, simplicity will affect economy and possibly reliability. Moreover, management must reach a compromise between economy and reliability, and between technical efficiency and organizational climate. The balance reached will determine whether short- or long-run objectives are optimized.

  • Simplicity

An effective organizational system need not be complex. On the contrary, simplicity in design is an extremely desirable quality. Consider the task of communicating information about the operation of a system and the allocation of its inputs. The task is not difficult when components are few and the relationships among them are straightforward. However, the problems of communication multiply with each successive stage of complexity.

The proper method for maintaining simplicity is to use precise definitions and to outline the specific task for each subsystem. Total systems often become complex because of the sheer size and nature of operations, but effectiveness and efficiency may still be achieved if each subsystem maintains its simplicity.

  • Flexibility

Conditions change and managers should be prepared to adjust operations accordingly. There are two ways to adjust to a changing operating environment: to design new systems or to modify operating systems. An existing system should not be modified to accommodate a change in objectives, but every system should be sufficiently flexible to integrate changes that may occur either in the environment or in the nature of the inputs. For example, a company should not use the same system to build missiles as it uses to build airplanes, nor the same system to sell insurance as the one originally designed to sell magazines. However, it should be possible to modify an existing system to produce different sizes, varieties, or types of the same product or service.

A practical system must be well designed but it cannot be entirely rigid. There will always be minor variations from the general plan, and a system should be able to adapt to such changes without excessive confusion. The advantages associated with having a flexible system will become more apparent when we consider the difficulty of administering change.

  • Reliability

System reliability is an important factor in organizations. Reliability is the consistency with which operations are maintained, and may vary from zero output (a complete breakdown or work stoppage) to a constant or predictable output. The typical system operates somewhere between these two extremes. The characteristics of reliability can be designed into the system by carefully selecting and arranging the operating components; the system is no more reliable than its weakest segment. When the requirements for a particular component — such as an operator having unique skills — are critical, it may be worthwhile to maintain a standby operator. In all situations, provisions should be made for quick repair or replacement when failure occurs. One valid approach to the reliability-maintenance relationship is to use a form of construction that permits repair by replacing a complete unit. In some television sets, for example, it is common practice to replace an entire section of the network rather than try to find the faulty component. Reliability is not as critical an issue when prompt repair and recovery can be instituted.

  • Economy

An effective system is not necessarily an economical (efficient) system. For example, the postal service may keep on schedule with mail deliveries but only by hiring a large number of additional workers. In this case, the efficiency of the postal system would be reduced. In another example, inventories may be controlled by using a comprehensive system of storekeeping. However, if the cost of the storekeeping were greater than the potential savings from this degree of control, the system would not be efficient. It is often dysfunctional and expensive to develop much greater capacity for one segment of a system than for some other part. Building in redundancy or providing for every contingency usually neutralizes the operating efficiency of the system. When a system’s objectives include achieving a particular task at the lowest possible cost, there must be some degree of trade-off between effectiveness and efficiency. When a system’s objective is to perform a certain mission regardless of cost, there can be no trade-off.

  • Acceptability

Any system, no matter how well designed, will not function properly unless it is accepted by the people who operate it. If the participants do not believe it will benefit them, are opposed to it, are pressured into using it, or think it is not a good system, it will not work properly. If a system is not accepted, two things can happen:(1) the system will be modified gradually by the people who are using it, or (2) the system will be used ineffectively and ultimately fail. Unplanned alterations in an elaborate system can nullify advantages associated with using the system.

Differentiation and Integration

A basic consideration in the design of organizations is dividing work into reasonable tasks (differentiation) while giving simultaneous attention to coordinating these activities and unifying their results into a meaningful whole (integration). Two guidelines may be followed in grouping activities:

  1. Units that have similar orientations and tasks should begrouped together. (They can reinforce each other’s common concern and the arrangement will simplify the coordinating task of a common manager).
  2. Units required to integrate their activities closely should be grouped together. (The common manager can coordinate them through the formal hierarchy).

When units neither have similar orientations nor share their activities, the task of grouping becomes more difficult. For example, when units are similar in nature and function but are also relatively independent, the manager must base his decision on the most appropriate way to group activities according to his past experience.

A difficult task associated with system-subsystem determination is to establish proper boundaries of operations. The more specific and distinct the goals of the operation, the easier it is to set boundaries. Other factors such as the influence of the environment, the availability of men and machines, the time schedule for design and operation, the cost of alternative designs, and the particular biases of the designers must be considered when establishing boundaries.

The role of management

Designers with imagination have the best chance to group people and machines into workable combinations having the greatest efficiency and effectiveness within the recognized constraints. We also suggest that there are certain characteristics that should be designed into an effective and efficient system— simplicity, flexibility, reliability, economy, and acceptability.

At this point, the designer must determine what has to be done to achieve the stated objective(s) and how the total task can be divided into meaningful units. Of the many possible combinations, one must be selected as that which satisfies the decision criteria better than the other alternatives. Of course, the balance between technical efficiency and the human factors that determine organizational climate should be included in making this decision. The eventual success or failure of the project is somewhat predetermined by management’s attitude and the relationship between the designers and those who must implement the process.

The systems approach suggests a new role for management. In the traditional view, the manager operated in a highly structured, rigid system having well-defined goals, clear-cut relationships, tight controls, and hierarchical information flows. In the flexible (or open) systems view, the organization is not static but is continually evolving to meet both external and internal changes. The manager’s role is to develop a viable organization, cope with change, and help participants establish a dynamic equilibrium. Leonard Sayles has expressed the manager’s problem as follows:

The one enduring objective is the effort to build and maintain a predictable, reciprocating system of relationships, the behavioral patterns of which stay within reasonable physical limits. But this is seeking a moving equilibrium, since the parameters of the system (the division of labor and the controls) are evolving and changing. Thus, the manager endeavors to introduce regularity in a world that will never allow him to achieve the ideal”.

The systems approach does not offer a prescription for mak¬ing a manager’s difficult and complex job easier. Rather it helps him understand and operate more effectively within the reality of complex systems. The systems approach suggests that operations cannot be neatly departmentalized but must be viewed as overlapping subsystems. In addition, it suggests that leadership patterns must be modified, particularly when dealing with professionals and highly trained specialists, and motivation must take the form of active, willing participation rather than forceful subjugation.

Systems design involves establishing project and facilitating subsystems to accomplish certain tasks or programs. In this approach, the network of human independence required to accomplish a given task is based on the shared responsibility of all members of the subsystem. In contrast, the traditional organization is geared to functional performance and the integrating force is authority. Instead of gearing participant activities to obedience to rules and closely structured behavior, the systems approach provides a basis for active cooperation in meeting task requirements. The manager is looked upon as a resource person who can help the group meet its goals and also as a source of authority and control. Thus, systems theory lends a structure by which the concepts of motivation, leadership, and participation can be applied effectively within the organization.

Implementation is, of course, implicit in the connotation of systems design; otherwise it would be nothing more than an empty exercise. It follows that the interface between managers and systems designers is critical, and mutual understanding must be fostered to maximize returns from design efforts. The system must be tailored to the needs of the organization and adapted continually as circumstances change. In a general sense, managers engage in systems design on a day-to-day basis when they plan activities and organize systems to accomplish objectives. Specialized staff groups have evolved to perform tasks such as long-range planning, organizational studies, and systems design. However, since managers are ultimately responsible for organizational endeavors, they should make a special effort to help ensure the development of useful systems and to make design activities an extension of the manager’s role rather than a separate function.

Operating managers need to understand the organizational decision-making requirements and the information needed to support the system. Although the probability of success in implementation is enhanced considerably if management is vitally interested in the project, technical expertise and motivation for change are more likely to be found in staff groups. The solution to the apparent dichotomy would seem to be a team approach, with specialists supporting operating managers who are responsible for the project’s success. A manager might devote either part-time to such an effort or full time temporarily, if the task requires it.

A project involving an integrated system for the entire company might well require years to complete. If operating people are delegated responsibility and authority for such a project, particularly if they are delegated the authority to outline specifications, they should also maintain sufficient contact with the day-to-day operations and its attendant information flow to retain their expertise for decision making. If the environment is dynamic or internal capabilities undergo change, it might be wise to rotate people from operations to systems design periodically, so that operating expertise is updated continually.

See also

  • Business reference model
  • Departmentalization
  • Enterprise Architecture framework
  • View model

References

  1. ^ TOP Organizational Architecture
  2. ^ Tricordant Model
  3. ^ Richard A. Johnson, Fremont E. Kast, and James E. Rosenzweig, The Theory and Management of Systems, 3rd ed. (New York: McGraw-Hill, 1973), pp. 144-46.
  4. ^ a b c Paul R Lawrence; Jay William Lorsch (1967). Organization and environment; managing differentiation and integration. Boston: Division of Research, Graduate School of Business Administration, Harvard University. pp. 213–18. OCLC 229592. 
  5. ^ a b c d Richard Arvid Johnson (1976). Management, systems, and society : an introduction. Pacific Palisades, Calif.: Goodyear Pub. Co.. pp. 100–105. ISBN 0876205406 9780876205402. OCLC 2299496. 
  6. ^ a b c Leonard R. Sayles (1964). Managerial behavior; administration in complex organizations. New York: McGraw-Hill. pp. 100–105. OCLC 965259. 

Diet Meal Plan

AVEX Records

Sunday, May 31st, 2009

Avex Group Holdings Inc.
Type International Private company
Genre Music Record Label
Founded 1988
Headquarters Aoyama, Tokyo, Japan
Area served Asia
Key people Masato “Max” Matsuura- CEO

Ryuhei Chiba- Co-CEO
Takashi Araki- COO, Senior ED
Toshio Kobayashi- CFO, Senior MD
Shinji Hayashi- CIO, Senior MD
Hiroshi Inagaki- MD
Hisashiko Iida- MD
Hajime Taniguchi- MD
Katsuro Oshita- MD
Hiroyuki Kishi- MD
Tadasu Ohe- MD
Toru Arakawa- MD
Shin Ushijima- MD
Minoru Onozato- MD

Nobuo Kawakami- MD

Industry Music industry
Products CDs, DVDs
Revenue 4,229.6 million yen
Employees 1,189 (Correct at end March,2007)
Subsidiaries Avex Entertainment, Avex Mode, Avex Trance, Avex Tune, Avex Globe, Cutting Edge, Rhythm Republic, Rhythm Zone, Espionage Records, Disc Du Soleil, Mad Pray Records, Motorod Records, Love Life Records, Sonic Groove, Tearbridge Records, True Song Music, J-more
Website Avex Group Official Website

Avex Group Holdings Inc. (???????????????????????? Eibekkusu Gur?pu H?rudingusu Kabushiki-gaisha?) is the holding company for a group of entertainment-related subsidiaries based in Japan. The origin of the word Avex comes from the English words Audio Visual Expert.

Avex was Japan’s leading dance record company during the nineties, and continues producing and recording some of Japan’s most famous J-pop singers. Avex Trax also provides theme music soundtracks to many anime and a few video games.

Contents

  • 1 History
  • 2 A-Nation
  • 3 Artists
  • 4 Sub-labels
  • 5 See also
  • 6 References
  • 7 External links

History

The company was established in 1988 as “Avex D.D., Inc”, a CD wholesaler. They opened a recording studio and created Avex Trax as a music label in 1990. In the same year, they created “Musique Folio Inc.”, a music publishing company, which later became “Prime Direction Inc.” In 1993, they created a U.S. branch, called “AV Experience America Inc.” The year also marked the first of Avex’s yearly events. It was held in Tokyo Dome under the name “avex rave ‘93″ and attracted 50,000 attendees. In 1994, they formed two UK subsidiaries, “Rhythm Republic Limited” and “Avex U.K. Limited”. Later that year, they opened a disco, claimed on their website to be “the world’s largest scale disco” .

In 1997, they opened a series of concert halls called “Zepp” along with Sony Music Entertainment Japan. In early 1999, they signed an agreement with Walt Disney Records and Hollywood Records to handle both companies’ Japanese CD releases. Later that year “Avex Mode”, an animation company, was established.

In 2001, Avex opened “avex artists academy”, a music school. In 2002, they released the “CCCD”, a type of copy-protected CD. In 2003, they opened a classical music business. In 2004, they began selling Japanese music CDs in South Korea.

In 2004, Avex President Max Matsuura “spotted” former-idol Ami Suzuki performing live at the annual festival of their school, Nihon University. He subsequently signed her to the Avex label.

In 2005, Avex acquired distribution rights for Aozora Records’ catalogue including all future Hitomi Yaida releases.

As part of the Avex Group’s 20th anniversary celebration, the big project is occurring with avex trax’s ever “produced by avex trax” artists, the band Girl Next Door formed and debuted in September 2008.

A-Nation

Each year since 2002, Avex has hosted a summer concert tour around Japan, “a-nation”, featuring the company’s most successful acts. Top Avex acts like Hitomi, Kumi Koda, BoA, TVXQ, TRF, Every Little Thing and Ayumi Hamasaki have performed to major crowds each year. In 2008, Namie Amuro made her first appearance at a-nation and performed on all dates that year. Because it was her first appearance at the event, she requested and was granted permission to be the first performer for the headlining portion of each event .

Artists

See also: List of Avex Trax artists

Sub-labels

  • Avex Broacasting and Communications (with NTT Docomo)
  • Avex Entertainment (BeForU, Riyu Kosaka’s label)
  • Avex Trance
  • Avex Mode (Label for anime, tokusatsu, and drama soundtracks and theme music)
  • Avex Tune (Da Pump, move’s label)
  • Avex Globe (Globe’s label)
  • Cutting Edge (Fantastic Plastic Machine, Back-On, Oblivion Dust and Olivia Lufkin’s label)
  • Rhythmedia Tribe (Misia’s label from 2002 to 2007)
  • Rhythm Republic (Eriko Imai)
  • Rhythm Zone (m-flo, Exile, Kumi Koda, TVXQ, Maki Goto’s label)
  • Riddim Zone (Ryo the Skywalker, Akane’s label,)
  • Espionage Records (Heartsdales’s label)
  • Disc Du Soleil
  • Mad Pray Records (Anna Tsuchiya’s label)
  • Motorod Records (Nanase Aikawa, Janne Da Arc’s label)
  • Love Life Records (hitomi’s label)
  • Sonic Groove (Asuka Hinoi, Hiroko Shimabukuro, Takako Uehara, Hitoe Arakaki)
  • Tearbridge Records (Camino, Triplane’s label)
  • True Song Music (Dai Nagao’s label)
  • J-More
  • Avex International (For International acts like Craig David)

See also

  • List of record labels
  • Velfarre

References

  1. ^ Microsoft Word - PooleMT.doc
  2. ^ Start of Commission Sales of the Aozora Records Catalogue Avex Group Holdings Inc. press release September 15, 2005
  3. ^ “?????????’?????????”. Sanspo. http://www.sanspo.com/geino/news/080727/gnj0807270504015-n2.htm. 

Fastest Way To Lose Weight

Philadelphia Ronald McDonald House

Sunday, May 31st, 2009

The Philadelphia Ronald McDonald House was the first of the Ronald McDonald House Charities and now stands at 39th and Chestnut Streets in West Philadelphia.

Contents

  • 1 History
    • 1.1 The Building
  • 2 Mission
  • 3 Structure of the house
  • 4 External links
  • 5 References

History

The house opened in 1974 with the help of Philadelphia Eagles tight end Fred Hill, manager Jim Murray and owner Leonard Tose. In 1971, while Hill’s daughter was being treated for leukemia at Children’s Hospital of Philadelphia, he saw other families living in the waiting rooms because they could not afford hotel rooms, and decided to help create a home where families could stay nearby. McDonald’s donated money from the firm’s Shamrock Shake promotion. The original house was located at 4032 Spruce St. with room for seven families. The house at 3925 Chestnut street opened in 1981 with 19 bedrooms. This was increased in 1996 to a total capacity of 43 rooms through an expansion largely funded by U.S. Healthcare.

The Building

The Victorian-era Romanesque mansion was built in 1893 for William James Swain, the son of Philadelphia Public Ledger editor and publisher William Mosely Swain by architect Will Decker.. Swain died in in 1903 In 1926, the house was sold to the Andrew Bair Funeral Home , who sold it decades later to the Ronald McDonald House.

Mission

The Ronald McDonald House provides a home away from home for families of seriously ill children receiving treatment at nearby hospitals.

Structure of the house

The Ronald McDonald House is run by a core group of full time paid employees along with a large rotating staff of volunteers. They provide accommodations for immediate families of those receiving treatment and outpatient patients mostly from Children’s Hospital, Temple University Hospital , Will’s Eye Hospital, and Shriner’s Hospital. Stays in the house range from one night to more than a year. sff

External links

  • http://www.philarmh.org/

Healthy Diet Plans

Dude?ti

Sunday, May 31st, 2009




















Dude?ti

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Dude?ti may refer to:

  • Dude?ti culture, an archeological culture of the 6th millennium BC
  • Dude?ti, Bucharest
  • Dude?ti, Br?ila County
  • Dude?tii Vechi, Timi? County

Retrieved from “http://en.wikipedia.org/wiki/Dude%C5%9Fti”
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